FILMOGRAPHY

Jarrod Whaley and I discuss Canary and our respective filmmaking processes in the following audio clip, which is largely interviewesque. (We were drinking heavily and eating popcorn, and so should you.)

“What you’ve done with Canary is a con job,” begins Whaley, forcing me to “map the distinction between effect and intention” and to lament the general vulnerability of the film in question. Later we discuss Whaley’s new feature film, which is nominally adapted from Flaubert’s Un coeur simple. Elisions in the recording are marked with bleeps.

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(Clip details: MP3, 24 minutes)